An Oldie, But a Goodie!

Every now and then I want a simple, straightforward, old-fashioned mystery.  No psychological twists and turns. No blood and gore.  No complicated plot.  No need to look up a word or try to infer the meaning of a foreign phrase.  In short, an Agatha Christie novel.

0ver the years I have read every Hercule Poirot novel, and once the  PBS TV series was aired, I read them again, now able to visualize that wonderful actor, David Suchet, who brought every idiosyncratic Poirot mannerism to life.

For some reason, however, I have not read many of the Miss Jane Marple series.. This past weekend I renewed acquaintances with the somewhat eccentric spinster who comes from the little village of St. Mary Mead and is initially perceived as just a sweet little old lady, everyone's maiden aunt.   A sweet little old lady whose keen powers of observation, and understanding and basic distrust of human nature make her a most unlikely detective. A shrewd and dogged detective.

A Pocket Full of Rye, one of the seven using a nursery rhyme theme, is vintage Agatha Christie. Plenty of singular British characters, a murder to be solved (in this novel there are three, no less), sufficient clues to test the readers sleuthing skills without resorting to frivolous red herrings, an intelligent vocabulary, reasonable dialogue and a conclusion that is logical and congruent.  The comfort food of mysteries.

Recently PBS aired a documentary about three researchers who attempted to analyze Agatha Christie's prolific body of work - 66 novels and 14 short story collections.  Any Christie fan would find it interesting.  In the meantime, Wikipedia does a good job of presenting some of the same information.

Although I've given up my one time summer goal of reading the entire Christie library, I did enjoy A Pocket Full of Rye.  I think I'll spend some time becoming better acquainted with the old gal.

Beastly Things ~ by Donna Leon

If you've read any of my other postings, you know I enjoy mysteries.  Not just any mysteries, however. For the most part, I prefer those written by a handful of European and Canadian authors. And one of  my  favorites is Donna Leon.

I recently was pleased to read a review of her work in which Leon is described as a literary crime novelist.  The label elevates her beyond the stereotypical image of a mystery writer.  And rightly so -no mere whodunits here, no simple formulaic plots, or two-dimensional characters. No red herrings. Leon's protagonist, Guido Brunetti, is a compassionate, ethical, and intelligent man whose complex personality has been developed over this series that now numbers 20 novels.  Developed not only in Leon's rich and layered descriptions of his thinking and behavior over time, but through his relationships with the cast of multi-dimensional supporting characters that populate the series.

The label is also appropriate because Leon is a talented and skillful writer.  Her metaphors are striking, her sense of humor delightful, her descriptions of Venice, whether of the city itself, its history, culture, or politics, intriguing.  Were the subject not crime, she most certainly would be found on fiction shelves, not mystery.

But what I most appreciate about Leon is her expectation that her readers are curious, intelligent and open to new information and attitudes. Both Guido and his wife, Paola, are inveterate readers - Guido, an aficionado of classic Greek and Roman historians and Paola, a professor of English literature who loves Henry James. 

Additionally, each of the novels explores a social and/or environmental issue - issues that impact not only Italy,  but, it could be argued, other nations as well- pollution, illegal immigration, racism, child prostitution, political corruption, etc., etc. In Beastly Things the issue is graft, corruption, and unhealthy practices in a slaughterhouse...and the consequences.  Although Leon has definite opinions, she manages to present them in the context of the story line.  Heads up - the description of the slaughterhouse practices may be enough to make a vegetarian of any reader!

If you have read Leon in the past, but haven't kept up, you can jump in here.  If you have never read her,  I recommend you start at the beginning of the series with Death at La Fenice and get a proper introduction to Guido Brunetti,  his family and colleagues, and the remarkable city of Venice.

Still Life by Louise Penny

With so many unread books waiting throughout our home and more on my Kindle, I am reluctant to reread even my favorite books.  But my agreement with my siblings for our family book club is that we will read whatever one of us recommends, even if we have already read it.  

When it was my brother Jim's turn to select a book, I was not surprised that he chose Still Life, Louise Penny's introduction to her popular award winning mystery series and a book I had already read. Penny is a favorite author of both of us.  I was a bit concerned that our sister Mary would enjoy it, however, as she rarely reads mystery...not uncommon, though to an avid mystery reader like myself, a concern whenever I recommend one.

My concern was short lived, however, as she enjoyed this charming, literate and ingenious tale as much as Jim and I have.  What did surprise me, pleasantly to be sure, was how much more I enjoyed and appreciated this book the second time around.  Penny's plots are tight and intelligent.  The central murder to be solved in this novel is who killed a beloved elderly woman with an arrow and why.  In itself, not especially intriguing, but Penny develops her plots with care and thought.  No inane red herrings.  No gratuitous sex or violence.  

What makes Perry's novels special, from my viewpoint, are the wonderful, multi-dimensional characters she creates.  And having read the series to date, what struck me this time was how beautifully she foreshadows the strengths and flaws of these characters, strengths and flaws that emerge naturally as the series progresses, as naturally as they do in real life.  Whether it is Chief Inspector Armand Gamache of the Montreal Surete, one of my favorite fictional detectives, or any of the unique supporting cast of characters, they never become caricatures.  Never become predictable.  Never black or white. These are characters who evoke the gamut of emotions from fondness, empathy and concern to frustration, and downright dislike. Characters as interesting, if not more so, as those in most novels on fiction shelves.  Given Penny's writing skills, even the small Canadian town of Three Pines (whose murder rate must be outrageous) acquires such a rich personality that I consider it a character in its own right.

If you are a veteran mystery fan but don't know this series, by all means give it a try.  If you have resisted mystery, thinking it formulaic, predictable, give Still Life a shot.  And, please, let me know what you think.

A New Find - Marco Vichi

I have stumbled on a new, delightful mystery series, another set in Italy.  Florence this time.  The early 60's.  The Inspector, 53 year old, Inspector Bordelli, a non-smoker wannabe who prefers the company of a petty thief, a former prostitute and other societal misfits.  Bordelli reminds me somewhat of the Sicilian Montalbano, direct, compassionate, accustomed to the harsh realities of life, yet still an optimist and a bit of a romantic.  Like other Italian mystery series, this is filled with references to food and attention to the atmosphere of the fascinating cities in which the mysteries unfold.

The first installment in the series, the one I finished in a day, Death in August, sets the stage for the rest of the series (four in translation at this time), the crime itself being of lesser importance than the creation of context.  There is a lot of information about Bordelli's background, which in itself makes this introduction a tad unique.  Information about his war experiences, his early introduction to sex, his family, his moral code.  And the minor cast characters are developed with enough detail to make them interesting and reasonable as folks a man like Bordelli would consider his friends.

I like characters like Bordelli, full of contradictions, using both reason and intuition to address the crime (and his personal life as well), flawed yet admirable, characters who reflect and in those reflections give me something to reflect upon, too.  Like Montalbano and Inspector Morse, Hercule Poirot and Adam Dagliesh.  I enjoy a mystery that depends more upon clues and old-fashioned persistence and teamwork than modern forensics for its solution.  A mystery more about the human element than blood and core, even with a touch of humor.  A mystery that teaches me something about history and/or other cultures. And I love Florence.  Will definitely continue with this series!

A footnote - the translation of this novel was done by Stephen Sartarelli, who also has translated Andrea Camilleri's Montalbano series.  So there is a decent section of notes to help with the Italian references as well as a natural rhythm that only a good translator can achieve.  Having recently read another translated novel without notes and with awkward phrasing and strange analogies, I more thoroughly appreciate Sartarelli's contribution and skills.

 

A Mystery Maven - Ruth Rendell

Someday I may understand why I suddenly go on a binge of murder mysteries - there may be none for months and then, a half dozen in a row.  This time, four Ruth Rendell novels in two weeks!

Baroness Rendell is my second favorite English mystery author, second only to her good friend, P. D. James.  Like James, Rendell is a prolific writer of psychological thrillers, whose characters are etched in shades of gray and whose plots are clever and engrossing. Articulate, without being affected; murder, without mayhem, undue violence or gratuitous sex; an easy, but not simple, read.

Now in her 80's, she is still writing, with a new novel to be published this year.  With over 20 novels that feature the popular Chief Inspector Reginald Wexford and an interesting cast of family and colleagues, and over 20 stand alone mysteries, plus a series written under her alternate ego, Barbara Vine, I doubt I will ever exhaust the supply of her writing...thankfully.

Although I typically prefer to read a series in chronological order, I have not done so with Rendell's, jumping across decades and mixing the Wexford novels with a few stand alones; I can truthfully say I've never been disappointed.  The four this binge have been Simisola (1995), The Veiled One (1988), Best Man to Die (1969) and Guilty Thing Surprised (1970). My favorite - Simisola.

 

For Your Consideration

Having been on vacation in NY - 11 hours each way to get there - and then recovering from the ordeals of travel, I've caught up on some reading these past few weeks.  It's been a curious assortment of books, if I do say so.  But illustrative of my eclectic reading tastes.  Hopefully, something will catch your fancy.  For your consideration:

A Taste of Murder by P.D. James.  With all the unread books I have on my shelves and on my Kindle, it could be argued that I shouldn't spend time rereading a novel.  But I'm glad I decided, on a whim, to revisit this 1986 gem of a mystery by a master of the genre.  James is well-respected for her elegant, intricate plots written as only the best British mystery writers seem capable of, but this go-round I became enthralled as well with her descriptions of place and character.  One of those rare novels I almost hated to finish.  

Walking in This World by Julia Cameron.  This second book in Cameron's "course of discovering and recovering the creative self" has taken me three months to complete, committed as I've been to working with her weekly assignments.  Having read The Artist's Way and The Sound of Paper, I found some of this book to be redundant and might have been tempted to abandon the book were it not for her ability to crystallize something I've been mulling over in a lucid, creative sentence or paragraph...."for most of us, the idea that we can listen to ourselves, trust ourselves, and value ourselves is a radical leap of faith."  Because she continues to make me think, and inspires me to explore creative expression, I plan to continue with The Right to Write.
And I did find many of the assignments, (she calls them tasks), to be interesting and informative.

The History of the World in 10 1/2 Chapters by Julian Barnes.  I'm an unabashed Barnes fan.  Loved The Sense of an Ending and Flaubert's Parrot.  I read this book with members of one of the two book clubs I belong to.  It received mixed reviews, as it is denser and somewhat uneven.  I admit it isn't one of my favorite works of his either.  Would not recommend it until/unless you've read other work of his first.

The Work of Wolves by Kent Meyers.  This past month's choice of book club #2.  Perhaps because it's  western-based fiction, I couldn't get into this novel and did stop after about a third of it.  Then, again, haven't read Lonesome Dove or Plainsong, the novels to which this has been favorably compared.  If you have, and enjoyed them, this might be a worthy choice.

I hesitate to end this way, but....I am always open for other suggestions.  Who knows, I may already own them, as yet unread.

In Search of a Good Mystery

I was hooked on mysteries from my first Agatha Christie. I loved mulling over the clues and was smitten with Hercule Poirot. Eventually reading every novel and short story in which he appears (and watching every Poirot episode on PBS  more than once). One summer I inhaled Sherlock Holmes, Josephine Tey, as many of the classic mystery writers I could find.

I soon learned, however, that there are some who consider mystery one cut above romance novels, fluff and formulaic.  Beneathe the intelligent reader. As a young woman, married to a professor and living in university towns, surrounded by intellectual competition,I became reluctant to admit how much I enjoyed mysteries, how many I was reading.

This reluctance lingered for years, even after we divorced and I moved on. Fortunately, it evaporated one afternoon, thanks to a serendipitous discovery. Now remarried, living in CA, my husband and I were visiting Cambria, a small coastal town north of Santa Barbara.  While out investigating the little shops and restaurants, we came upon a series of chalked footprints on the sidewalk.  Intrigued, we followed them, down a couple blocks, around a corner, up a flight of stairs into a - mystery book shop.  Shelf upon shelf crammed with mysteries.  Tables laden with mystery games and puzzles.

The owner, sporting a deerstalker cap and pipe, roamed his domain, eager to share his passion.  "Oh, you like - ?  You'll enjoy - or -. Come, I'll show you."  To anyone who asked, and a few who didn't.  There were several customers, also ready to share, some with shopping bags to be filled with anticipated summer reading. A diverse group, an intelligent group. Nirvana.

Today, I am pleased to see that there are several authors of mystery recognized for their literary skills and accomplishments, writers who develop intricate plots and complex characters, who weave engaging stories and maintain faithful followership.   Among my favorites, P. D. James, Ruth Rendell, Donna Leon, Louise Penny and Laurie R. King.  Their protagonists have become old friends. In fact, Hercule now has rivals for my affection - James' Commander Dalgliesh, Leon's Commasario Brunetti, and now Penny's Chief Inspector Gamache.  All men of intelligence, ethics, and human fraility. 

But I'm all caught up, waiting for the next installment.  And my mystery shop is no longer, so I am in search of a new author of mysteries, in search of a good mystery.  Any recommendations?