Quotes

"While we are reading, we are all Don Quixote." ~ Mason Cooley
Showing posts with label Donna Leon. Show all posts
Showing posts with label Donna Leon. Show all posts

Monday, August 31, 2015

Worth Checking Out

                                                             ~   Arthur Schopenhauer

Here are three novels that have not only assuaged any trouble or concern I may have had these past months, but they also engaged me for far more than an hour at a time - one of my criteria for a good book.

The Nature of the Beast: A Chief Inspector Gamache Novel by Louise Penny. c2015
This is the 11th installment in the series about the Canadian Chief Inspector Armand Gamache, now retired to the tiny village of Three Pines - and one of my favorite in the series. (I could not put it down, read it in one day.) The story line is based on a true episode in Canadian history which makes the rising threat in the novel even more believably threatening.

Penny must love this quirky cast of characters she has created, for they grow in depth and complexity, with talents and foibles, strengths and secrets, while maintaining the core of consistency one finds in decade-old friendships.  Above all, Penny is a skilled writer who combines intricate, multi-layered plots, as well as rich character development, with vivid imagery.  She, like P.D. James or Ruth Rundell, is a writer of mysteries, rather than a mystery writer.

You do not need to have read the previous novels to become engrossed in The Nature of the Beast.  But had I not, I would immediately have bought the first in the series, Still Life.


All the Light We Cannot See by Anthony Doerr. c2014
I have to admit that I would not have read this book were it not one my book club's selections for the summer- not another World War II novel?!  And what a loss that would have been.

On one level, this is the story of a blind French girl and a German boy whose lives collide in occupied France.  Their stories are told in alternating chapters that also shift back and forth in time, providing a framework for lessons about the brain and blindness, about art and light waves we cannot see, about courage and brain washing.  And a different kind of World War ll novel, centered around the impact on the lives of children rather than battles and strategy. blood and despair.

But for all the depth of story, all the lessons learned, what I loved most about this work was Doerr's stunning use of physical detail and gorgeous metaphors.  This is a book to read slowly, to savor, to marvel at and to read again.


Angle of Repose by Wallace Stegner. cl971
I discovered Wallace Stegner late in life, again thanks to my book club.  Have meant to read this for the last 5 years, but it took a friend, whose recommendations I value, telling me that this is her "very favorite novel", one she revisits every few years, to motivate me to finally pick it up.

I was hooked within the first three pages.  Hooked by the promise of fascinating characters, an intricate plot, a deeper understanding of the history of the West (I am a transplanted Mid-westerner) and the exploration of some personal questions that I am currently pondering, and some of the most beautiful writing I have ever read.  I wasn't disappointed.

Angle of Repose explores several themes in its story within a story. First,  it is a complex, compassionate examination of marriage  and the angle of repose - "the angle at which two lines prop each other up, the leaning together from the vertical which produces the false arch.  For lack of a keystone, the false arch may be as much as one can expect in this life. " As Lyman Ward, a disabled, divorced professor chooses to explore his grandparents' enduring marriage, he naturally explores his own life, his failed marriage, the kind of man he has become and might yet become.

But along the way, it is also of story of youthful hopes and expectations, disappointments and loss, reality vs. myth.  Seamlessly woven into a gorgeous piece of writing, well deserving of the Pulitzer, worth checking out, if you've not read it.  Worth reading more than once.










Friday, March 28, 2014

Beastly Things ~ by Donna Leon

If you've read any of my other postings, you know I enjoy mysteries.  Not just any mysteries, however. For the most part, I prefer those written by a handful of European and Canadian authors. And one of  my  favorites is Donna Leon.

I recently was pleased to read a review of her work in which Leon is described as a literary crime novelist.  The label elevates her beyond the stereotypical image of a mystery writer.  And rightly so -no mere whodunits here, no simple formulaic plots, or two-dimensional characters. No red herrings. Leon's protagonist, Guido Brunetti, is a compassionate, ethical, and intelligent man whose complex personality has been developed over this series that now numbers 20 novels.  Developed not only in Leon's rich and layered descriptions of his thinking and behavior over time, but through his relationships with the cast of multi-dimensional supporting characters that populate the series.

The label is also appropriate because Leon is a talented and skillful writer.  Her metaphors are striking, her sense of humor delightful, her descriptions of Venice, whether of the city itself, its history, culture, or politics, intriguing.  Were the subject not crime, she most certainly would be found on fiction shelves, not mystery.

But what I most appreciate about Leon is her expectation that her readers are curious, intelligent and open to new information and attitudes. Both Guido and his wife, Paola, are inveterate readers - Guido, an aficionado of classic Greek and Roman historians and Paola, a professor of English literature who loves Henry James. 

Additionally, each of the novels explores a social and/or environmental issue - issues that impact not only Italy,  but, it could be argued, other nations as well- pollution, illegal immigration, racism, child prostitution, political corruption, etc., etc. In Beastly Things the issue is graft, corruption, and unhealthy practices in a slaughterhouse...and the consequences.  Although Leon has definite opinions, she manages to present them in the context of the story line.  Heads up - the description of the slaughterhouse practices may be enough to make a vegetarian of any reader!

If you have read Leon in the past, but haven't kept up, you can jump in here.  If you have never read her,  I recommend you start at the beginning of the series with Death at La Fenice and get a proper introduction to Guido Brunetti,  his family and colleagues, and the remarkable city of Venice.




Thursday, April 4, 2013

The Italians Are Coming!!

Didn't set out to read only Italian crime novels these past few weeks, but one led to another and before I knew it, I'd read four.  Reading the four, by four different authors, taking place in different parts of Italy, and each of the protagonists having a distinctly different personality (shaped by their age and environment), I feel as though I've just had a crash course in Italian geography, history and sociology.

The four:

The Age of Doubt by Andrea Camilleri, takes place in Sicily.  Camilleri's novels have been made into tv movies, occasionally seen here on PBS.  Because I have been to Sicily and all my grandparents were Sicilian, three born there, this series holds a particular fascination for me.  Inspector Salvo Montalvo captures the Sicilian character as I experience it.  With a dark sophistication, a heavy dose of cynicism, softened by a strain of humor, the series continues to fascinate me.

In this installment, Montalbano is increasingly preoccupied with aging, and coupled with his on/off again relationship with Livia, finds himself falling in love with a younger woman, a beautiful harbor official who he comes to know as a result of his investigation into two murders that take place in the harbor. 

I loved this novel, found the emphasis on the love story, the humor, the Sicilian angst to be particularly engaging.  Might be my favorite in the series.

The Golden Egg, by Donna Leon, is the most recent (just released this week) in this series that takes place in Venice.  The protagonist, Commissario Guido Brunetti, is a moral, intellectual man striving to stay afloat in an ocean of amorality and corruption.  What I most appreciate about this series is the consistency of plot development, the social commentary, and thoughtful exploration of the human condition.  Not only is Brunetti a multi-dimensional character, but his wife, Paola, continues to take on more depth and breadth.  The descriptions of Venice are charming and include a background into the city's cultural heritage.

In this episode Brunetti is asked to look into a minor shop-keeping violation committed by the mayor's future daughter-in-law, a case he would prefer not be placed on his plate.  Then, Paola comes to him with a request to look into the sudden death of a handicapped man who worked at their dry cleaner, a man who turns out to have absolutely no legal papers, no record of existence.   

As is common to this series, there are many references to the corruption that runs rampant in Italian business and government, and my biggest concern is that Brunetti will resign and the series will end!

Death in Sardinia  by Marco Vichi, is the third in the crime series set in Florence in the l960's.  Inspector Bordelli is younger than Brunetti or Montalbano.  And much more consumed by his, and Italy's, past in World War II.  Although the crimes are well developed and explored in detail, Bordelli's memories of combat and the factions that existed in Italy during the war are a recurring motif - one that I have found intriguing and informative, so far.  Vichi also injects snatches of 60's history - Bordelli discovers The Rolling Stones in this novel - which lightens the serious atmosphere of the novel.   Because this is a young series in comparison to Leon's or Camilleri's, however, I don't have a good sense of Bordelli yet (and for some reason the second in the series is not available on the Kindle).  Haven't decided how much further I continue with this series.

Note: Vichi's translator is Stephen Sartarelli, who also translates Camilleri, with the same fluency and sensitivity to the English language.

River of Shadows by Valerio Varesi, is set in the Po Valley in 2000,and introduces a new protagonist, Commisario Soneri and his young female partner, Angela. Soneri reminds me a bit of Montalbano, so it will be interesting to see how he develops.  The novel is richly atmospheric, with the valley's inhabitants and history as dark and meandering as the river that runs through it.  The mystery at the heart of the novel, the separate but ultimately related deaths of two elderly brothers leads, Soneri into the shadows still cast by the second World War, 55 years after its conclusion.  This is the only title in the series to be translated so far (and I wish Sartarelli had done it), but the series appears to have a following in Italy, so I suspect more will be coming.  And I will check out them out when they do.
 

Sunday, November 4, 2012

The Jewels of Paradise

I've been a Donna Leon fan for years, more than fond of Commassario Guido Brunetti, hero of her Venetian mystery series, frequently recommending her - and him - to friends and family.  Such a fan that I pre-ordered her new novel, The Jewels of Paradise, as soon as Amazon let it be known that it would appear this fall.  Eager to meet her new heroine, Caterina Pelligrini, Baroque opera scholar.

So when it finally arrived on my Kindle, I curled up on the sofa, a steaming cup of coffee at hand, afghan over my lap, intent on spending the morning wandering among Venetian canals and palazzos, becoming acquainted with a new character than I hoped would become an old friend.

And was sadly disappointed.  In an attempt to create a stand alone novel, perhaps in a new voice or style, Leon appears to have thrown out the proverbial baby with the bathwater.  Gone are the charming characters, the insightful social commentary, the allusions to delectable food, even the magical lure of Venice.

In their place, two-dimensional, bland characters who failed to arouse my interest or concern, a complex and convoluted rendering of a piece of Baroque musical history, peppered with Italian and Venetian dialect.  I finished it driven only by the hope that I had jumped to conclusions about the book too soon. I didn't change my mind.  I'm afraid Dottoressa Pellegrini is destined to be a passing acquaintance.