Beastly Things ~ by Donna Leon

If you've read any of my other postings, you know I enjoy mysteries.  Not just any mysteries, however. For the most part, I prefer those written by a handful of European and Canadian authors. And one of  my  favorites is Donna Leon.

I recently was pleased to read a review of her work in which Leon is described as a literary crime novelist.  The label elevates her beyond the stereotypical image of a mystery writer.  And rightly so -no mere whodunits here, no simple formulaic plots, or two-dimensional characters. No red herrings. Leon's protagonist, Guido Brunetti, is a compassionate, ethical, and intelligent man whose complex personality has been developed over this series that now numbers 20 novels.  Developed not only in Leon's rich and layered descriptions of his thinking and behavior over time, but through his relationships with the cast of multi-dimensional supporting characters that populate the series.

The label is also appropriate because Leon is a talented and skillful writer.  Her metaphors are striking, her sense of humor delightful, her descriptions of Venice, whether of the city itself, its history, culture, or politics, intriguing.  Were the subject not crime, she most certainly would be found on fiction shelves, not mystery.

But what I most appreciate about Leon is her expectation that her readers are curious, intelligent and open to new information and attitudes. Both Guido and his wife, Paola, are inveterate readers - Guido, an aficionado of classic Greek and Roman historians and Paola, a professor of English literature who loves Henry James. 

Additionally, each of the novels explores a social and/or environmental issue - issues that impact not only Italy,  but, it could be argued, other nations as well- pollution, illegal immigration, racism, child prostitution, political corruption, etc., etc. In Beastly Things the issue is graft, corruption, and unhealthy practices in a slaughterhouse...and the consequences.  Although Leon has definite opinions, she manages to present them in the context of the story line.  Heads up - the description of the slaughterhouse practices may be enough to make a vegetarian of any reader!

If you have read Leon in the past, but haven't kept up, you can jump in here.  If you have never read her,  I recommend you start at the beginning of the series with Death at La Fenice and get a proper introduction to Guido Brunetti,  his family and colleagues, and the remarkable city of Venice.

The Italians Are Coming!!

Didn't set out to read only Italian crime novels these past few weeks, but one led to another and before I knew it, I'd read four.  Reading the four, by four different authors, taking place in different parts of Italy, and each of the protagonists having a distinctly different personality (shaped by their age and environment), I feel as though I've just had a crash course in Italian geography, history and sociology.

The four:

The Age of Doubt by Andrea Camilleri, takes place in Sicily.  Camilleri's novels have been made into tv movies, occasionally seen here on PBS.  Because I have been to Sicily and all my grandparents were Sicilian, three born there, this series holds a particular fascination for me.  Inspector Salvo Montalvo captures the Sicilian character as I experience it.  With a dark sophistication, a heavy dose of cynicism, softened by a strain of humor, the series continues to fascinate me.

In this installment, Montalbano is increasingly preoccupied with aging, and coupled with his on/off again relationship with Livia, finds himself falling in love with a younger woman, a beautiful harbor official who he comes to know as a result of his investigation into two murders that take place in the harbor. 

I loved this novel, found the emphasis on the love story, the humor, the Sicilian angst to be particularly engaging.  Might be my favorite in the series.

The Golden Egg, by Donna Leon, is the most recent (just released this week) in this series that takes place in Venice.  The protagonist, Commissario Guido Brunetti, is a moral, intellectual man striving to stay afloat in an ocean of amorality and corruption.  What I most appreciate about this series is the consistency of plot development, the social commentary, and thoughtful exploration of the human condition.  Not only is Brunetti a multi-dimensional character, but his wife, Paola, continues to take on more depth and breadth.  The descriptions of Venice are charming and include a background into the city's cultural heritage.

In this episode Brunetti is asked to look into a minor shop-keeping violation committed by the mayor's future daughter-in-law, a case he would prefer not be placed on his plate.  Then, Paola comes to him with a request to look into the sudden death of a handicapped man who worked at their dry cleaner, a man who turns out to have absolutely no legal papers, no record of existence.   

As is common to this series, there are many references to the corruption that runs rampant in Italian business and government, and my biggest concern is that Brunetti will resign and the series will end!

Death in Sardinia  by Marco Vichi, is the third in the crime series set in Florence in the l960's.  Inspector Bordelli is younger than Brunetti or Montalbano.  And much more consumed by his, and Italy's, past in World War II.  Although the crimes are well developed and explored in detail, Bordelli's memories of combat and the factions that existed in Italy during the war are a recurring motif - one that I have found intriguing and informative, so far.  Vichi also injects snatches of 60's history - Bordelli discovers The Rolling Stones in this novel - which lightens the serious atmosphere of the novel.   Because this is a young series in comparison to Leon's or Camilleri's, however, I don't have a good sense of Bordelli yet (and for some reason the second in the series is not available on the Kindle).  Haven't decided how much further I continue with this series.

Note: Vichi's translator is Stephen Sartarelli, who also translates Camilleri, with the same fluency and sensitivity to the English language.

River of Shadows by Valerio Varesi, is set in the Po Valley in 2000,and introduces a new protagonist, Commisario Soneri and his young female partner, Angela. Soneri reminds me a bit of Montalbano, so it will be interesting to see how he develops.  The novel is richly atmospheric, with the valley's inhabitants and history as dark and meandering as the river that runs through it.  The mystery at the heart of the novel, the separate but ultimately related deaths of two elderly brothers leads, Soneri into the shadows still cast by the second World War, 55 years after its conclusion.  This is the only title in the series to be translated so far (and I wish Sartarelli had done it), but the series appears to have a following in Italy, so I suspect more will be coming.  And I will check out them out when they do.

 

A New Find - Marco Vichi

I have stumbled on a new, delightful mystery series, another set in Italy.  Florence this time.  The early 60's.  The Inspector, 53 year old, Inspector Bordelli, a non-smoker wannabe who prefers the company of a petty thief, a former prostitute and other societal misfits.  Bordelli reminds me somewhat of the Sicilian Montalbano, direct, compassionate, accustomed to the harsh realities of life, yet still an optimist and a bit of a romantic.  Like other Italian mystery series, this is filled with references to food and attention to the atmosphere of the fascinating cities in which the mysteries unfold.

The first installment in the series, the one I finished in a day, Death in August, sets the stage for the rest of the series (four in translation at this time), the crime itself being of lesser importance than the creation of context.  There is a lot of information about Bordelli's background, which in itself makes this introduction a tad unique.  Information about his war experiences, his early introduction to sex, his family, his moral code.  And the minor cast characters are developed with enough detail to make them interesting and reasonable as folks a man like Bordelli would consider his friends.

I like characters like Bordelli, full of contradictions, using both reason and intuition to address the crime (and his personal life as well), flawed yet admirable, characters who reflect and in those reflections give me something to reflect upon, too.  Like Montalbano and Inspector Morse, Hercule Poirot and Adam Dagliesh.  I enjoy a mystery that depends more upon clues and old-fashioned persistence and teamwork than modern forensics for its solution.  A mystery more about the human element than blood and core, even with a touch of humor.  A mystery that teaches me something about history and/or other cultures. And I love Florence.  Will definitely continue with this series!

A footnote - the translation of this novel was done by Stephen Sartarelli, who also has translated Andrea Camilleri's Montalbano series.  So there is a decent section of notes to help with the Italian references as well as a natural rhythm that only a good translator can achieve.  Having recently read another translated novel without notes and with awkward phrasing and strange analogies, I more thoroughly appreciate Sartarelli's contribution and skills.